Social Media

Factory Driver: Richard Oldfield

Related AI


In this video

Harnessing the Power of AI in Cinematography with Look Designer and Grain Lab

Introduction to Look Designer and Grain Lab by Colourlab

In the realm of film production, the precision of color grading and texturing plays a vital role in translating the director's vision into a visual reality. Harnessing the power of artificial intelligence, Colourlab's Look Designer and Grain Lab plugins for DaVinci Resolve are revolutionizing this facet of filmmaking.

The Ingenuity of Look Designer

Look Designer is a versatile tool that allows cinematographers to design a custom show LUT, which forms the basis of the color pipeline during the grading process. This plugin lets you choose from a variety of input profiles, delivery requirements, contrasts, and print stocks to match your specific production needs. The selection and adjustment of these parameters ultimately influence the color space, gamma, and contrast of your film.

The Art of Designing a Show LUT

In designing a show LUT, a cinematographer uses Look Designer to tweak the contrast and print stock of the image based on a chosen film reference. The plugin also allows for the fine-tuning of saturation and color balance to match the original film's color profile. One of the key features of Look Designer is the ability to adjust the white point to introduce cooler or warmer tones as per the film's creative direction.

The Craft of Color Separation and Saturation Control

With Look Designer, cinematographers can achieve color separation, especially when trying to distinguish skin tones from background elements. The Subtractive Color tool mimics the behavior of light passing through three colored layers of emulsion inside a film roll, allowing for the expansion of saturation in the shadows for a deeper, heavier feel. This control over saturation enables a more accurate representation of the film's color mood.

The Technical Checks and Exports

Look Designer simplifies the technical checks of LUTs with test images and various scopes like the tone map, vector scope, and lightness ramp, all accessible within the plugin. This facilitates a more accurate creation of the show LUT, which can then be exported as a cube for on-set monitoring and post-production.

The Grading Workflow with Look Designer and Grain Lab

When it comes to grading, Look Designer can be used in two instances: one as an IDT and film negative on the group pre-clip level, and the other as a print stock and ODT on the timeline level. This approach emulates a traditional film process, maintaining the aesthetic integrity of the film throughout the grading pipeline.

In addition to Look Designer, the Grain Lab plugin is instrumental in adding a realistic, generative grain to the image. Instead of just overlaying a grain layer, Grain Lab interacts with the camera's original image, adding texture and depth to the final output.

Final Thoughts on Look Designer and Grain Lab



We Use Cookies to Enhance Your Experience

Our website uses cookies to provide you with a personalized experience and to improve our website. By clicking 'Accept', you consent to our use of cookies. To learn more about how we use cookies and your options, please see our Cookie Policy page.